Character Analysis Brave New World - Literature Essay Samples

Brave New World, by acclaimed author Aldous Huxley, is not so much a novel about individuals as it is about a society as a whole. It is a story of a dystopia, of a cold scientific world order and the people who inhabit it. Against this harsh setting, Huxley experiments with various ideas and philosophies, using an eclectic cast of characters to move his ideas from the printed page to the reader by placing them in a human, or semi- human, context. In many ways, Brave New World is almost a story of survival not survival as opposed to the natural world, but survival of the human race, of individuals trying to live in a world where the individual spirit is considered nonexistent. In this context, the people who inhabit Brave New World jump off of the page, each offering his or her own testimony to the inherent bizarreness of the scientifically-crafted lifestyles of this à ¢Ã‚€ÂÅ"brave new world.à ¢Ã‚€?Bernard Marx is perhaps the most compelling character throughout the first part of the book, his last name ironically being that of the founder of Communism. By the standards of the à ¢Ã‚€ÂÅ"Brave New World,à ¢Ã‚€? Marx is a dysfunctional person, his conditioning having obvious flaws. He suffers from a sort of inferiority complex, due to his small height physically, he resembles a person of the lower class more than an à ¢Ã‚€ÂÅ"alpha.à ¢Ã‚€? While Bernard is not a à ¢Ã‚€ÂÅ"protagonistà ¢Ã‚€? in the traditional sense of the term, he proves to be a good viewpoint character, because his motivations are clearly human. For example, just as the Director has finished discussing how the World State has eliminated à ¢Ã‚€ÂÅ"lovesickness,à ¢Ã‚€? Bernard is shown to be himself lovesick, jealous, and angry. But, ultimately, his motivations are materialistic, not idealistic he wants for things that he cannot have. After a trip to a New Mexico Indian Reservation and his subsequent discovery of John à ¢Ã‚€ÂÅ"the savage,à ¢Ã‚€? he begins to abuse his newfound popularity and fame by taking part in all of the aspects of the World State which he had previously criticized, showing that he is a devout critic whose secret motive is to become what he criticizes jealousy at its best. This success, however, collapses when the savage refuses to take part in Bernardà ¢Ã‚€Â™s attempts to remain popular. Ultimately, Marx proves to be an interesting and sympathetic character, but not one that the reader can easily respect.The most admirable figure of Brave New World, however, is John à ¢Ã‚€ÂÅ"The Savage,à ¢Ã‚€? who makes his first appearance roughly halfway through the book. The only character to have been raised in isolation from the World State, Johnà ¢Ã‚€Â™s initial entrance comes during a brutal Native American ritual, showing that he is a very primitive man in comparison with the other characters of the story. Bernard and Lenina view this ritual as repulsive, while John expresses his frustrations at having been banned from participating, marking the cultural divide between the World State characters and à ¢Ã‚€ÂÅ"the savage.à ¢Ã‚€? John, then, becomes the ultimate outsider, rejected by both the civilized and primitive worlds. In his isolation, John immerses himself in Shakespeare, a 900-year-old author utterly forgotten by the World State, thus further pushing à ¢Ã‚€ÂÅ"the savageà ¢Ã‚€? away from the societal norms around him. This interest in Shakespeareà ¢Ã‚€Â™s works provides John with the ability to verbalize his complex feelings and emotions, and gives him a framework on which to base his later criticisms of the World State values. When he confronts Mustapha Mond, the World Controller of Western Europe, it is Shakespeare that gives John a style of speaking that is capable of competing with the clever rhetoric of the controller. At the same time, his nave, infantile perception of the à ¢Ã‚€ÂÅ"brave new world with such people in ità ¢Ã‚€? lead to a conflic t between his own values and reality, eventually causing him to kill himself in one of the storyà ¢Ã‚€Â™s most touching scenes.Lenina Crowne serves as a relay between Johnà ¢Ã‚€Â™s complex thoughts and the more à ¢Ã‚€ÂÅ"civilizedà ¢Ã‚€? society of the World State. A worker in the London Hatchery and Conditioning Center, where human embryos are created, she becomes the main love interest of many of the storyà ¢Ã‚€Â™s characters, the two most important of which are Bernard Marx and John. She tends to be different from other women of the World State, by doing such things as dating only one man at a time, being attracted to Bernard the misfit, and, eventually, developing an explosive passion for John à ¢Ã‚€ÂÅ"the savage.à ¢Ã‚€? Ultimately, however, she fails to understand Bernardà ¢Ã‚€Â™s apathy or Johnà ¢Ã‚€Â™s Shakespearean system of values, and thus falls back into the ignorance that characterizes most of the World State.Brave New Worldà ¢ €™s antagonist would actually be the à ¢Ã‚€ÂÅ"brave new worldà ¢Ã‚€? itself, although there are a variety of representatives of the World State who carry out the oligarchyà ¢Ã‚€Â™s bidding. The most prominent leader is Mustapha Mond, The Resident World Controller of Western Europe and one of only ten World Controllers. Once an underground scientist, Mond was given the choice of going into exile for performing illicit experiments or training to become one of the World Controllers he delights in censoring scientific discoveries and exiling people with unorthodox views because of this. Interestingly enough, the word à ¢Ã‚€ÂÅ"mondà ¢Ã‚€? means à ¢Ã‚€ÂÅ"world,à ¢Ã‚€? making a clever allusion to the limitlessness of Mustapha Mondà ¢Ã‚€Â™s power. Early in the book, he serves to articulate the history of the World State and its philosophies, and later he debates with John, demonstrating the fundamental differences between World State values and Shak espearean values. Aside from being a vehicle for rhetoric, however, Mond is a very complex character, balancing his totalitarian job with readings of Shakespeare and even The Bible. His goals for humanity are stability and à ¢Ã‚€ÂÅ"happiness,à ¢Ã‚€? to the exclusion of emotions and human relations.Brave New World, as a whole, is a novel based around ideas and concepts more than characters, but the characters themselves prove to be convincing vehicles for the ideas that Huxley tries to set forth. Each character represents a different side of the debate, from Johnà ¢Ã‚€Â™s traditional English values to Mondà ¢Ã‚€Â™s radical view of stability. In many ways, Brave New World should be read as a warning of taking ideas to radical levels, but it is also a fantastic way to gain insight into opposing philosophies, because Huxley makes no actual moral judgment as to who is right and who is wrong rather, he lets the characters speak for themselves. It is this detached view of the characters that ultimately provide the book with its distinct charm.

The Social Discourse Of Bipolar Disorder - 1643 Words

The social discourse of bipolar disorder is often punctuated by the classic manic episodes manifesting as symptoms such as distractibility, pressured speech, decreased need for sleep, euphoric mood, grandiosity, and problems with impulse control [17]. These classic periods of high energy are often intertwined in a cyclical fashion with periods of depressive symptoms, much of the time meeting criteria for major depressive disorder, as well as periods with no symptoms [17]. The frequency by which a patient moves through these states varies greatly from weeks to months to as little as a few days, namely â€Å"rapid-cycling† [17]. In addition to manic episodes, hypomanic episodes, characterized by similar symptoms but less severe symptoms than manic episodes, qualify the disease as bipolar II disorder instead of bipolar I which needs the criteria of manic episodes alternating with major depressive episodes [17]. Another subtype of bipolar disorder, cyclothymia, is characterized by depressive episodes that do not meet criteria for a major depressive episode but does consist of cycling with previously described hypomanic episodes [11]. While the stigma of manic episodes plagues patients with bipolar disorder, often the depressive episodes are what cause the most distress and impairment in daily functioning of patients with bipolar disorder [12]. The burden of bipolar disorder, which has an estimated prevalence of 4% worldwide, permeates throughout all aspects of society from theShow MoreRelatedInformative Speech : Therapeutic Recreation1532 Words   |  7 PagesThere is a lot of discourse communities but picking the right one that’s for you and can be challenging. A discourse Community has different areas of communities in today’s society that start with people interest to job communities. A discourse community is a group of people who has common goals or interest. 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The Retirement Of Elderly Today - 983 Words

Jun Hui Bae PHE 345U Jost Lottes 29 Nov. 2015 The Retirement of Elderly Today, the elders live longer than few decades ago. if the elderly age is before and today the same, today is a way healthier cause of development of medical. It means that elderly may work few more years after they retire and they should work longer because their drug bill is increasing. In fact, many workers are discovering that they are going to have to work longer than they originally anticipated - an adjustment that can seem unbearable to some. According to the article 6 Late-Stage Retirement Catch-Up Tactics, there are several benefits that come with working past your normal retirement age. Increased earned income, social security income, a shorter timeframe to fund, extended employee benefits, greater peace of mind, greater longevity. Because elderly live longer and longer, retirement age should be extend more and decrease the working hours. 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Modern American culture Persuasive Essay Example For Students

Modern American culture Persuasive Essay Primal Urges, Corporate Profits and the Need to Understand What Makes Us Tick In 1947, Fortune magazine ran an article on the perennial advertising agency, J. Walter Thompson Company, which bears the namesake of its founder. The article stated that the primary cultural function of advertising was the creation of new and daring, but fulfillable (sic), consumer demands; demands that would not occur if advertising did not deliberately incite them. (Frank, pg.49) Since that time, advertising has become somewhat more of a cultural barometer to measure and forecast trends and behavior patterns. Yet underlying it all, no matter what school of thought you subscribe to in this classic chicken and egg argument, is advertisings fundamental need to understanding human nature in order to be successful. And because success is typically measured in sales, the populist view of advertisings role becomes irrelevant as long as advertising remains an investment for the corporate sponsors, not a liability. Underscoring human nature is the sum of our behaviors, thoughts and beliefs, which are by definition what makes up part of our culture. In addition, our incendiary disposition has sparked much debate and verve for many things political, religious and in terms of advertisings influence, fiscal. This is perhaps why the process of making an effective ad becomes more a discipline of psychology than one of qualitative or quantitative science. Intuition is impossible to measure, and even harder to diagram on a pie chart. A serendipitous concept idea, borne at two oclock in the morning, may launch a windfall and a career. By contrast, using focus groups to test ad campaigns can sterilize an idea reducing it to mediocrity. Whereas an ad that stems from a brilliant idea, masterfully crafted, moves us as a form of art might. Matter of fact, it was this concept of raising advertising to an art form, with a newly found respect for the consumer that made ads developed during the Creative Revolution in the 1960s so endearing and enduring. Again, Bill Bernbach imparts his wisdom, At the heart of an effective creative philosophy is the belief that nothing so powerful as an insight into human nature, what compulsions drive a man, what instincts dominate his action, even though his language so often camouflages what really motivates him. (Bill Bernbach) Bernbach knew that Americans, especially at the start of the 1960s, were inherently conservative and logical in the buying process. And he also knew the power of emotion conveyed in advertising could cut through all the superficiality. However, all the emotion in an ad was wasted if it was saying something that was not important, persuasive and credible. The key, Bernbach asserted, was listening to the consumer. And in order to listen, one had to know what touched and moved people. Gimmicks and cute slogans gave way to enduring product truths that found their humanity by fulfilling our unspoken needs and desires. The tame and sedate culture of the 1950s was evident in its ads. Conversely, the 1960s gave way to empowered ad copy that reflected the move away from inhibitions and societal constraints. Slogans such as Youve Come a Long Way Baby stemmed from the burgeoning Womens movement (Bond Kirshenbaum, pg.66), while earlier ads focused on a womans strive for domestic bliss. For instance, an ad seen in Life Magazine, circa 1949 for Hoover vacuums begins with the headline She would like one of these for Christmas and goes on to tell the reader Shell be happier with a Hoover ? so make her happier this Christmas (LIFE, pg. 137). The headlines have changed over the years, yet they still remain small tokens of how we measure worth and success. Conclusion Like opening a time capsule, one might be able to infer many of our idiosyncrasies and buying habits just by skimming the ads in a single issue of LOOK or LIFE magazine. .u572af81a3442dc92258ce6e90d1be637 , .u572af81a3442dc92258ce6e90d1be637 .postImageUrl , .u572af81a3442dc92258ce6e90d1be637 .centered-text-area { min-height: 80px; position: relative; } .u572af81a3442dc92258ce6e90d1be637 , .u572af81a3442dc92258ce6e90d1be637:hover , .u572af81a3442dc92258ce6e90d1be637:visited , .u572af81a3442dc92258ce6e90d1be637:active { border:0!important; } .u572af81a3442dc92258ce6e90d1be637 .clearfix:after { content: ""; display: table; clear: both; } .u572af81a3442dc92258ce6e90d1be637 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u572af81a3442dc92258ce6e90d1be637:active , .u572af81a3442dc92258ce6e90d1be637:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u572af81a3442dc92258ce6e90d1be637 .centered-text-area { width: 100%; position: relative ; } .u572af81a3442dc92258ce6e90d1be637 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u572af81a3442dc92258ce6e90d1be637 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u572af81a3442dc92258ce6e90d1be637 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u572af81a3442dc92258ce6e90d1be637:hover .ctaButton { background-color: #34495E!important; } .u572af81a3442dc92258ce6e90d1be637 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u572af81a3442dc92258ce6e90d1be637 .u572af81a3442dc92258ce6e90d1be637-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u572af81a3442dc92258ce6e90d1be637:after { content: ""; display: block; clear: both; } READ: Radar: A Silent Eye in the Sky EssayOur culture was distilled down to simple visuals and a few key words whose lasting impact defies the most logical of explanations. From the specter of nuclear war conveyed in President Lyndon Johnsons famous 1964 Daisy Girl commercial, to the durability of the Golden Arches, Americans began to experience the power of brand as precursor to the coming Information Age. The culture we see around us today has largely been built by a marketing machine that thrives on branding almost every visible space of real estate. From Coke? and Pepsi?in the halls of our schools, to the latest blockbuster movie tie-in, we are, at best, pushing our own limits of information overload. Marshall McLuhans medium has seemingly become both infinite and indefatigable. Marshall McLuhans seminal work on mass media, developed during his career as an educator and communications theorist, brought phrases such as global village and the medium is the message into the vernacular of everyday life. In closing, his following quote sums up advertisings influence on our culture succinctly, requiring no further comment. Historians and archeologists will one day discover that the ads of our time are the richest and most faithful daily reflections any society ever made of its whole range of activities. (Marshall McLuhan) Works Cited Books Frank, Thomas, The Conquest of Cool Chicago: The University of Chicago Press, 1997 Bond, Jonathan ; Kirshenbaum, Richard, Under the Radar-Talking to Todays Cynical Consumer John Wiley Sons, Inc. 1998 Sullivan, Luke, Hey Whipple, Squeeze This-A Guide to Creating Great Ads John Wiley Sons, Inc. 1998 Belch, George Belch, Michael, Introduction to Advertising and Promotion-An Integrated Marketing Communications Perspective. Zwettler, Rob, Second Edition, Richard D. Irwin, Inc. , 1993 Online/Internet The Advertising Century, Klein, David-Group Editor, Donaton, Scott-Editor Advertising Age, downloaded: 23 October 2001, http://adage. com/century/people/people001. html The CLIO Awards Web Site (site no longer carries the link of the original documents downloaded in 2001) http://www. clioawards. com/html/main. isx Merriam-Webster Online Downloaded: 4 April 2002, http://www. m-w. com/cgi-bin/dictionary Dictionary. com Downloaded: 4 April 2002, http://www. dictionary. com/search? q=culture Periodicals LIFE, 5 December 1949: page 137.